![]() ![]() It is considered one of the liveliest Latin dances, promoting a happy and bloopy performance with lots of knee movement and hip rocking. Jive - Jive is one of the five most popular Latin dances known as swing, boogie, or boogie-woogie. ![]() The smooth and glamorous version of quickstep danced today worldwide to a 4/4 music beat of 48-52 measures per minute was standardized in 1927. It was originally developed in the 1920s dance scene of New York and the Caribbean as the combination of the dances such as Charleston, a slow variation of Foxtrot, Peabody, shag, and one-step. Quickstep - Light-hearted and fast movement, powerful forms, and syncopations represent the core style characteristics of the Quickstep, one of the world's most popular ballroom dances today.Mambo - This Cuban dance that accompanies the music of the same name was introduced in the 1930s and quickly managed to gain popularity with the exploits of famous musicians and dancers such as Perez Prado, Benny Moré, Tongolele, Adalberto Martínez, Rosa Carmina, and Lilia Prado.Today infectious rhythm of the Samba is regarded as the national dance of Brazil, and its famous Brazilian Carnival gathers millions of Samba dance fans every year. Samba - Samba is a famous dance and musical genre originating from the coast of Africa and Brazil.Since its creation in the 1930s, many types of Rumba have been created, most notably Cuban Rumba (with the style of the enslaved Africans who made it), Catalan Rumba (with Spanish flavor), Flamenco Rumba, and African Rumba. Rumba - The popularity of this Cuban dance came from its focus on the sensual hip movements of dance partners.Cha-Cha-Cha - This incredibly rhythmic dance created in Latin America managed to meld together both the slow and very energetic movements, making it an instant hit among dancers around the world.Ruru is a step meant to be utilized by soloists and is not often seen amongst dance groups. In the Tahitian language, “ruru” refers to a shaking motion. Ruru: A shaking movement of the dancer’s belly and buttocks. In the Tahitian language, “varu” refers to the number eight. Varu: A hip movement that represents the shape of the figure eight. In the Tahitian language, “ami” is the word that describes this moevement. When the movement starts in the buttocks, it is sometimes called taipu. Tumami starts with the belly in a forward position, dependent upon the supporting foot. Faarapu is unique due to its distinct foot supports. Unlike faarapu, this move can be executed in either direction. Ami, or Tumami: A wide and slow rotation of the hips and pelvis. In the Tahitian language, “faarapu” is a verb that describes the circular movement of a hand stirring soup in a saucepan. This “natural strong foot” is what we call the “supporting foot” in athletics. The dancer’s natural strong foot determines the direction of the movement. Faarapu/ faarori can be rolled in only one direction, right or left, depending on the dancer. When the accent reaches the buttocks, the step is referred to as faarori. The main accent of the movement originates from the dancer’s belly. Faarapu / Faarori: A fast movement involving a rotation of the pelvis. In Tahitian language, tamau means “to tie”, or a “bond” and refers to a continuous link. Tamau: The lateral movement of the hips that exists in four distinct patterns: tahiri tamau, tamau taere, tamau tahito, paoti tamau, also called haere tifene. From these five original steps exist a multitude of variation steps that also have their own variations. These moves are operational and accompanied by precision. The origin of this classification remains unknown. For educational purposes, teaches five basic steps for women: tamau, faarapu, ami, varu, and ruru. Dance moves are never set in stone and rather there exists an open classification that gives room for creation. ![]()
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